Obstructive Fictions

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Obstructive Fictions
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Obstructive Fictions

A newsletter about reading.

Dustin Illingworth
Dec 15, 2020
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Welcome to Obstructive Fictions, a newsletter about reading. It will be published haphazardly, as time and enthusiasm allow.

Why obstructive? I’m interested in fiction that frustrates interpretation.

The Australian novelist Gerald Murnane differentiates between “film-script fiction,” which relates what happened, and “meditative fiction,” which relates what it is to know what happened. Obstructive fiction — Markus Werner’s “Zündel’s Exit,” Hilda Hilst’s “The Obscene Madame D,” Witold Gombrowicz’s “Cosmos” — relates what it is to not know what happened, the “what happened” having been challenged, or made irrelevant, by the fiction itself.

Obstructive fiction is ambiguous and frequently digressive. It resists summary. It forestalls the bingeing urge. It exults in the freedom afforded by fiction generally, and the novel more specifically.

I’ll use this newsletter to write about my favorite obstructive fictions, alongside reading lists, interviews, thoughts on forthcoming books, and more. If this sounds like your idea of a good time, I hope you’ll consider subscribing.

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Angie Harms
Dec 16, 2020Liked by Dustin Illingworth

So excited for this!

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Lauren Cerand
Jan 31, 2021Liked by Dustin Illingworth

I am already crazy about this. Thank you.

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